This sixth- or seventh-century Visigothic Oratory is a monumental complex made up of three caves excavated from a layer of sandstone and protected with granite. It was discovered by Rafael Vañó Silvestre in 1968. The main cave has a monumental facade simulated by a porch in the form of blind arcades with classic horseshoe arches, all carved into the slope of the hill.

This outdoor performance space was inaugurated in September 2016. It is composed of a semicircular concrete amphitheatre and a modernist structure on the stage imitating the Visigoth Oratory of Valdecanales.

This house represents the typical architecture of the nineteenth century, comprising two facades, basement, body and chamber. The main facade has a central door, four basement windows and two large windows with bars on each side.

The Fosforina Museum is a private collection containing more than 3,000 pieces that document the history of ancient trades. The objective of this museum is to recover and maintain the traditions of local people

The twentieth-century Town Hall has a classicist air, with a door flanked by pilasters, lintelled and fenced openings and, in the upper part, the municipality’s coat of arms.

From the remains of an old castle-fortress from the eleventh and twelfth centuries, we find the Arabian watch tower.

The church was constructed between 1565 and 1576. The building responds to the premises of the Vandelvira School, with a centralised plan, ribbed vaults and flat front which is accessed through a main arch.

The Giribaile reservoir is situated on the Guadalimar River, in the Guadalquivir Basin between La Loma de Úbeda and El Condado. Built between 1993 and 1997, its wall is located on the slopes of La Lambra

Cyclopes were mythological beings with one eye, members of a race of giants, strong and of tempestuous temperament. Legend says they were great builders and craftsmen; this is why, during the Middle Ages, walls of large worked blocks such as this one began to be discovered.

This manor house is representative of the vernacular architecture of Ibros. It symbolises the presence of the Lords in Ibros, although they rarely inhabited it.

Construction of the church was ordered by Francisco Sarmiento de Mendoza, Bishop of Jaén, in 1523, who oversaw its completion, including images, altarpieces and bells.

The oldest monument in Canena is the Molinillo. The mill is thought to be Roman in origin, as a hydraulic construction destined for the milling of cereal.

The waters of the San Andrés spring have been well known since the Roman era, popular for their therapeutic properties and credited with creating a balanced state of physical and mental health.

The olive oil mill dates back to 1780 and is named after the castle. Almazara Castillo de Canena is a family business fully dedicated to obtaining extra virgin olive oil. They carry out the entire process themselves, including cultivation, pressing, storage, packaging, sales and marketing.

The church dates to the first half of the sixteenth century and is Renaissance in style. To the right of the main entrance is the bell tower with a quadrangular floor plan and hipped roof.

Construction of the chapel, Virgen de los Remedios, began at the end of the fifteenth century and was completed in the middle of the eighteenth, thanks to alms indicated on the facade.

Construction of the chapel, Virgen de los Remedios, began at the end of the fifteenth century and was completed in the middle of the eighteenth, thanks to alms indicated on the facade.

The sixteenth-century castle was designed by the Spanish Renaissance architect Andrés de Vandelvira and belonged to Francisco de los Cobos, who was private secretary to Carlos I and a great patron of Renaissance developments in Úbeda.

The olive oil company Oleícola San Francisco was founded in 1927 and acquired by Manolo Rus and José Jimenez in 1989. They launched a family project that has become a passion and a way of living in Jaén.

The Puente de Obispo is a sixteenth-century bridge over the Guadalquivir River, on the old route from Jaén to Baeza. Named the Bishop’s Bridge, it is one of the first of the Hispanic Renaissance, made up of 4 unequal barrel vaults, arranged in rows of unequal height.